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How is this book unique?
Unabridged (100% Original content)Formatted for e-readerFont adjustments & biography includedIllustratedThe Moonstone (1868) by Wilkie Collins is a 19th-century British epistolary novel, generally considered the first detective novel in the English language. The story was originally serialised in Charles Dickens' magazine All the Year Round. The Moonstone and The Woman in White are considered Wilkie Collins' best novels. Besides creating many of the ground rules of the detective novel, The Moonstone also reflected Collins' enlightened social attitudes in his treatment of the servants in the novel. Collins adapted The Moonstone for the stage in 1877, but the production was performed for only two months.
- Sales Rank: #1786356 in eBooks
- Published on: 2016-04-16
- Released on: 2016-04-16
- Format: Kindle eBook
Review
A book for the beach. Keren Levy, Guardian
Review
"This superbly edited and richly documented edition of what T.S. Eliot described as 'the first and greatest of English detective novels' is the definitive and indispensible edition of The Moonstone." (William Baker )
"The Moonstone, one of Wilkie Collins's most popular and successful novels, has never been out of print since its first publication in 1868. Is another edition needed? The answer, in the case of Professor Farmer's scholarly and impeccably edited text, must be a resounding yes. Invaluable for his survey of past and present reactions to the story, and for his own insights, the edition also includes historical and background material and a well-chosen collection of relevant contemporary documents—always an important feature of Broadview Literary Texts. This Moonstone will surely prove another winner for Broadview's list." (Catherine Peters, author of The King of Inventors: A Life of Wilkie Collins )
"Steve Farmer's Broadview edition will undoubtedly become the definitive edition of The Moonstone. [It] deserves a five star rating." (The Wilkie Collins Society Journal )
"Here is a book which anyone with an interest in either Collins or Victorian literature in general will want to buy. The chief reason for this is Broadview's exceptionally generous editorial policy in its series of Literary Texts, and the very good use that Steve Farmer has made of this generosity. In this edition, for a reasonable price, we are given not only a beautifully printed and error-free annotated text of the novel, but also a full introduction and over 150 pages of appendices...This is the first time that Collins' dramatic adaptation of the novel has been reprinted and this text alone is well worth the price of the book." (Adrian J. Pinnington )
From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.
Most helpful customer reviews
391 of 403 people found the following review helpful.
The First and Greatest English Detective Novel?
By A. Wolverton
As many reviewers have noted, T.S. Eliot called `The Moonstone' "the first and greatest English detective novel." Is the novel worthy of such praise? We shall see...
The story begins with a brief prologue describing how the famous yellow diamond was captured during a military campaign in India by a British officer in 1799. The action moves quickly to 1848 England, where, according to the British officer's will, the diamond has been given to one of the soldier's young relatives, Rachel Verinder. Yet only hours after the diamond arrives at the Verinder estate, it disappears. Was it stolen by a relative? A servant? And who are these three Indian men who keep hanging around the estate?
`The Moonstone' is told from the point of view of several characters. The first portion of the tale is told by Gabriel Betteredge, house steward of the Verinder estate, who has been working for the family practically his entire life. Although over 200 pages, Betteredge's account holds the reader's interest as he introduces the main players and the crime itself. The next account, by distant Verinder relative Miss Clack, is humorous and somewhat important, but far too long (nearly 100 pages) for its relevance to the story. But after Miss Clack's account, things really take off at breakneck speed.
Readers who latch onto the T.S. Eliot quote expecting a modern detective tale will be sorely disappointed. You aren't going to see anything resembling Jeffrey Deaver, James Patterson, Sue Grafton, or even Mary Higgins Clark. You also won't see Mickey Spillane, Dashiel Hammett, or Raymond Chandler. Nor will you see Agatha Christie, Dorothy Sayers, or Martha Grimes. You won't even see Arthur Conan Doyle. But you WILL see the novel that influenced them all.
You'll also see something else. Something that modern mystery/detective writers have for the most part lost. Characters. Oh sure, modern writers have characters, but for the most part, the reader only learns enough about the character to forward the plot. In our time, plot is King. When `The Moonstone' was published (1868), one of the novel's attractions was its characters. Collins has painted each of these characters so well that the reader feels that they know not only how they look, but their mannerisms, their movements, how they think, and their view of the world they live in. That type of character development is seriously lacking today, not from all writers, but from far too many.
Of course, the down side is that Colllins also took over 500 pages to develop those characters. Is the book too long? For most modern readers, the answer is yes. I believe it all has to do with your expectation. Put modern mystery/detective stories out of your head. Then read `The Moonstone' as you would any other novel. Get lost in the atmosphere and the characters. Immerse yourself. Most of all, enjoy. Reading `The Moonstone' is like eating at a fine restaurant after months of fast food. When it's over, you just want to sit back in your favorite chair and say, "It's nice to know that the finer things are still available." Yes they are. Treat yourself to this gourmet book.
522 pages
108 of 114 people found the following review helpful.
An immersive, unforgettable mystery classic
By Robert Moore
THE MOONSTONE was the first mystery story, and it in many ways remains one of the most remarkable. Working in the shadow of the Gothic and Romantic literary traditions, Wilkie Collins managed to create something new and unique. Instead of the endless evocation of atmosphere and focusing on sinister villains, Collins focuses instead on a simple mystery and its solution: who stole the diamond known as the Moonstone, and where did it go? But any reader of the novel knows that the mystery is secondary to the exposition and the marvelous parade of characters. It isn't the getting to the resolution of the mystery that is the main thing, but the process of getting there.
One of the great attractions of the novel is the extraordinary style of the writing. Although the first English mystery story, it had not yet devolved into a genre, and Collins was not aware that a mystery story could not also be great literature. As a result, he imbued his characters with enormous charm and give them each a vivid manner in expressing themselves. The multiple narratives by this remarkable characters was a strategy to deal with the problem of authorial point of view. On the one hand, Collins wanted to avoid the omniscient narrator who would know the truth both about each character and about the myster of the fate of the diamond. Collins therefore cast the novel in the form of a succession of narratives by the various participants in the novel. He thereby limits the knowledge of each narrator, but he also is able thereby to provide considerable variation in the style of each narrative. The two most remarkable segments are those by Gabriel Betteridge, House-Steward in the service of Lady Verinder and her cousin Miss Clack, a prim and fervid evangelical Christian whose missionary zeal and prudish moralizing provide many of the funniest moments of the novel. The style of these two could not be more distinct, both from the rest of the narratives and from each other. Miss Clack has constantly to fight a tendency to sermonize. She is apt to turn out passages such as: "A thundering knock at the street door startled us all. I looked through the window, and saw the World the Flesh, and the Devil waiting before the house--as typified in a carriage and horses, a powdered footman, and three of the most audaciously dressed women I ever beheld in my life." Betteridge, on the other hand, is solid, practical, a tad parochial, but ferociously loyal to his employer. For him the good life consists of a good pipe and a copy of ROBINSON CRUSOE at hand. If one laughs a bit at Miss Clack, the reader comes to thoroughly like Betteredge. Between the two of them, their narrative occupy more than half the novel. The others are also quite enjoyable, but not to the degree that these two are.
THE MOONSTONE is a page turner, which is to say that it is a delight to read. One wants to read quickly both because each page is such a joy and because one wants to discover what happens next. The characters are mainly enjoyable, but like so many authors his eccentric characters are far more memorable and enjoyable than his central characters. Betteredge, Miss Clack, and Sgt. Cuff far outstrip the "hero" of the book, who while a good citizen, is from a literary point of view a tad boring.
I can agree with those readers who consider THE WOMAN IN WHITE a better book, but this is another of those comparisons that are odious. The book is so enjoyable, fun, and memorable that I can't imagine any reader lamenting during the course of its pages that they weren't reading the other book instead.
94 of 100 people found the following review helpful.
Must read if you like detective novels
By robert robbins
I have become a recent convert to Victorian literature. Educated as an electrical engineer, I did not appreciate literature until I reached my 70's. This book is to the modern detective novel as Maxwell's equations are to the wireless engineer of today. All the modern detective novels follow the basics exhibited in Moonstone, but usually fall far short because they leave out one or more of the "equations". A thoroughly gripping and inventive novel by a master.
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